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I have no idea where I acquired this book. It’s marked ‘1.99’ in pencil on the inside cover, but it’s not clear whether the currency is pounds or euros. I probably picked it up in a charity or thrift store; the subtitle, ‘secrets of successful writing’ would have appealed. But not enough for me to read it, apparently. According to GoodReads, I shelved it in 2017 so I’ve evidently had it for at least eight years.
Most books about writing cover similar ground, but with a slightly different focus. The theme of this one is that of writing not just a book, but a bestseller. Even in 1996 when this was first published, that wasn’t an easy thing to do. And while the author had written four novels before writing this book, and I assume they sold well, I had not heard of any of them.
Still, it’s a well-written and well-constructed book. The author makes it clear that it’s about story-telling, of unlocking our subconscious and crafting the books we have inside us. And she explains her points giving examples from books which, presumably were selling well at the time she wrote the book. I was not familiar with any of them, but they still mostly made the points effectively.
There are chapters claiming to offer ‘secrets’, but this isn’t done in an over-dramatic way. Instead it asks us to think about stories, about what makes a good opening scene, and so on. And just about every aspect of writing a novel is covered. We’re invited to think about location, and how much description is appropriate. We look at characters: at the importance of introducing the main one within the first few pages. I hadn’t quite realised how vital it is that this viewpoint character should have clear flaws as well as virtues. But, thinking about books I have loved, that is undoubtedly the case.
The author also looks at plots, at the importance of a strong beginning, and what to do when stuck in the middle. She suggests various possible methods of structuring a book, whether writing out detailed chapter summaries or letting the book tell itself. She looks at editing, too, though not in a great deal of detail, and about finding a publisher, via an agent, and marketing. She makes some good points about most writers, by nature, not being suited to lots of networking and promoting.
I had quite high hopes for the section about getting going, but really the author just talks about willpower, and about making a time and place for writing. She insists that it should be our second or third priority - that we should forget about housework and even cooking while in the throes of a novel. I can’t bring myself to do that, which is probably why I’ve never managed to finish a novel, despite starting several.
I thought there were some useful reminders in this book, though most of it was familiar to me. It’s good that most published authors agree on most parts of how to write; but it means that books about writing are, mostly, quite similar. Perhaps that’s why I never manage to read more than two or three in a row.
Inevitably, too, the book is somewhat dated. There’s almost no mention of computers, and self-publishing was really in its infancy when this book was written. There’s a lot of discussion about writing by hand, and the distractions of the phone. There is no mention, of course, of modern distractions such as social media or computer games.
Overall, I’m glad I read it. If you haven’t read a lot of books about writing, and if you can find this one inexpensively, it’s thorough and interesting to read. And possibly worth reading even if, like me, you have read rather a lot of books on writing. This is no longer in print, though it's available in ebook form; however paperbacks can fairly often be found second-hand.
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