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The first chapter is a bit confusing, though it’s confidently - and, in places, poetically - told. The whole book is in the first person, narrated by a Chinese woman called Yun Ling. The opening paragraph mentions her seeing the Emperor of Japan when she was twenty-seven, and that terrible things were done to her and her sister.
Then the action moves forward by thirty-six years. Yun Ling has retired early from a high-powered job as a judge. She’s come to a house where she used to know a man called Aritomo used to leave. There’s a Chinese servant living there, who remembers her from over three decades earlier. She hasn’t returned there since. Yun Ling is about to meet an art expert who is going to examine some of Aritomo’s work.




