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Alas, once I started reading, my delight evaporated.
Whereas the first four books were written in the first person, albeit by different characters, this one is written in the third person. It doesn't even focus on just one or two people; the viewpoint dots around all over. It even includes some cringeworthy author asides, almost reminiscent of Victorian novels, but (in my opinion) worse.
Nor is the story very interesting. It's supposed to be complete in itself, so I assumed that it wouldn't matter that I hadn't read the fifth or sixth in the series. But I found myself bewildered by multiple characters and subplots, some of which had nothing to do with the main story.
Even the main plot was rather convoluted, involving a ballet dancer called Ella. She apparently ran away from Sadler's Wells - I didn't gather why - and is now returning. It seems that she was an adopted child, from an exaggeratedly awful 'working class' background. Perhaps that was relevant in the earlier book that introduced Ella. But I could not see the point of the story popping back to 'Me Mam' every so often, to hear the unintelligent comments of the family whom Ella seems to have cast aside in a rather snooty manner.
Then there is a foray into Switzerland when Ella recovers from an illness. It adds nothing at all to the story, and seems to be padding.
Not recommended, unless you have read the first six and want to know what happens to all the characters. I have one more in this series, but begin to think I should just have re-read the first four, which I still remember fondly.
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